簡(jiǎn)介：李翰祥執(zhí)導(dǎo)的《佛跳牆》共有四個(gè)單元，首個(gè)故事是描述一對(duì)母子因施予濟(jì)公一碗豆?jié){而逃過喪命之危；其二則說濟(jì)公幫助賣菜漢，逃離高利貸者的滋擾；其三則寫濟(jì)公以櫻桃化夜明珠，將大盜教訓(xùn)一頓；最末一則是描寫濟(jì)公以巧計(jì)捉弄胡作非為的相爺父子。李翰祥借濟(jì)公的善行，針貶權(quán)貴惡霸的種種惡行，為平民大眾吐一口烏氣。

簡(jiǎn)介：In the suburbs of Rome two very different souls intersect. One is the son of a restaurant owner who disappeared with his lover. The other is a young mysterious woman who has arrived from China in search of her missing sister.

簡(jiǎn)介：17歲的小青年安東（Devon Sawa 飾）懶惰非常，每天最大的愛好就是吃吃喝喝看電視，或者打打漂亮女鄰居莫莉（Jessica Alba 杰茜卡?阿爾巴 飾）的歪主意。                                                                    　　某個(gè)萬(wàn)圣節(jié)的早上，他一覺醒來發(fā)現(xiàn)父母竟變成了沒有腦袋的萬(wàn)圣節(jié)玩偶！不久，好友米克（Seth Green 飾）和帕布（Elden Henson 飾）更死在他的手上。安東意識(shí)到，自己遇見了真正的惡魔，并且惡魔附身自己的手中，為所欲為，無(wú)惡不作。安東發(fā)現(xiàn)魔手的下一個(gè)目標(biāo)正是莫莉，為了拯救心愛的女孩，他和從地獄返回德米克、帕布聯(lián)合，與惡魔展開了較量……

簡(jiǎn)介：70年代末期，自小在農(nóng)村長(zhǎng)大的楊柿紅，和村里的牛旺相愛，后來兩人家庭因?yàn)椴识Y而鬧翻，牛旺入贅到了鄰村，楊柿紅為了和他賭氣嫁給了王長(zhǎng)安，起初柿紅覺得王長(zhǎng)安窩囊，但經(jīng)歷了一段時(shí)間的生活，楊柿紅慢慢成熟了起來，深深的被王長(zhǎng)安的儒雅和走出大山的夢(mèng)想感動(dòng)，后來王長(zhǎng)安因車禍去世，將一整個(gè)家留給了楊柿紅，楊柿紅為了對(duì)得起丈夫，也為了將孩子們教育成材走出大山，在煎熬與困苦中獨(dú)自承擔(dān)起了責(zé)任，一家人就這樣艱難的向前走著，雖然有過機(jī)會(huì)走出大山改變命運(yùn)，但柿紅為了家人，最終還是留了下來，后來小兒子犧牲，柿紅唯一一次走出大山卻是為了迎回小兒子的骨灰。柿紅歷盡了悲歡離合的故事，告訴我們留守也是一種勇氣，留守也同樣高尚和偉大。

簡(jiǎn)介：In 1672, two witches (Jennifer and her father Daniel) were burned by puritan Jonathan Wooley. In revenge, Jennifer cursed all future generations of the Wooley family, that the sons will always marry the wrong woman and be miserable. In the 20th century, a bolt of lightning frees Jennifer and her father from the tree that had kept their souls imprisoned. Jennifer assumes corporeal form and decides to make up-and-coming politician Wallace Wooley, then unhappily engaged, even more miserable by getting him to fall in love with her before his wedding. Wallace is a straight arrow, though, and Jennifer has to resort to a love potion. As we all know, love potions tend to backfire, with comedic results.

簡(jiǎn)介：《木偶》講述了一個(gè)治療師的故事，當(dāng)一個(gè)十歲的男孩聲稱他可以控制她的未來時(shí)，她失去了對(duì)現(xiàn)實(shí)的把握。